Since the dawn of time, perfume is subject to fashion but has no limitations of gender. As revealed in the writings of Pliny the Elder, Theophrastus or archaeological discoveries such as the frescoes of the House of the Vettii in Pompei - from jasmine to iris, to myrrh, saffron or cinnamon, scents were shared according to individual tastes. In the 14th century, the Queen of Hungary’s Water was made with rosemary while the courts of Europe adopted lavender and cloves. The Medici launched strong enveloping scents of civet, musk and amber. Civet was also adopted later by Louis XIV and his court in Versailles before being ultimately seduced by the delicate scent of orange blossoms. Lastly, at the end of the 17th century, with the birth of the Eau de Cologne, the Italian aristocracy initiated the vogue for fresh waters with citrus accord.

In the image of this millennial perfumery, it is the love of an olfactory universe that takes precedence, a genderless identification with a journey through time, with a history of scents that echoes an intimate story. Favourite perfume and muse of the greatest Persian poets such as Saadi in the 14th century, the Damask Rose can thus be worn by men while a woman may be sensitive to the green and woody smells of vetiver. The skin itself drives the choice of the scent and the emotion it provides or not. The Eaux Triples of the Officine are respectful water-based perfumes without alcohol or ethanol that combine technical prowess with softness, revealing the emblematic perfumes of the Officine Universelle Buly with a beautiful balanced power.